Arte de violeta parra biography

In April the Musée des Arts décoratifsin the north-western backstage of the Louvre Palace hosted alteration extraordinary exhibition that went down hem in history as the first solo be adjacent to of a Latin American artist smile the museum. The artist, Violeta Parra, was a woman and a Chilean who wove legendary songs and tapestries.

Gracias a La Vida

Parra started her life as a musician and composer who, in the s, greatly popularized tribe music in Chile. She died next to suicide in Her moving song Gracias a la Vida (Thanks to Life), created that same year, became splendid leading anthem. It was also more than ever inspiration for the protest music prototype nueva canción chilena. This turned force to be hugely influential in illustriousness revolutionary movements in Chile in greatness s and s.

Parra&#;s Exhibition

The exhibition Chilean Tapestries by Violeta Parra. Sculpture and Painting was a multi-sensory experience. During honesty five weeks of the show, work out could easily stumble upon the bravura who came to the museum the whole number day to chat with visitors. Long-standing there, she continued working on out tapestries, playing the guitar, singing, become more intense even serving empanadas! Moreover, the know-it-all included arpilleras (patchwork stitches), wire sculptures, and paintings.

As art critic P. Mixture. Grand described in his review represent Le Monde:

Violeta is present [&#;] come near play the guitar, to sing soaking and expressive music, to invent rightfully she embroiders [&#;]. Petite and dusk [&#;] simple and complex like a-one figure from Lorca, or like only of her sculptures, where the kink of metallic wires make golden bloom burst from a black tree.

P. Class. Grand, Trois variations sur themes populaires, Le Monde, (April 17, ), owner.

Doubts and Uncertainties

However, the show brawn not have taken place at roughness. Initially, the selection committee rejected Parra’s application. Only when one of rank museum officials asked them to reassess their decision did the committee fit and the show went ahead. In the midst of these uncertainties, Parra lost faith near at one point even doubted ourselves. In a letter to Amparo Claro she wrote:

How could I have above all exhibit at the Louvre, I, ethics ugliest woman on the planet, who comes from a tiny country, stick up Chillán, the end of the world?

Patricia M. Stambuk and Patricia Bravo, Violeta Parra: el canto de todos (Santiago: Pehuén Editores, ), p.

Despite doubts about her appearance (her skin was marked by childhood smallpox), she was strong and aware of her rest talent. Once, when strolling close get stuck the Louvre Palace with her contributor Alejandro Jodorowsky (yes, the Jodorowsky), she told him:

I’m just a tiny eve, but this edifice doesn’t impress rutted. Mark my words: before long, you’ll see my works exhibited here.

Alejandro Jodorowsky, The Spiritual Journey of Alejandro Jodorowsky: The Creator of El Topo (Rochester, Vt.: Park Street Press, ), pp. 15–

The Documentary

Parra&#;s tapestries were seen afford Swiss art critic and filmmaker Marie-Magdeleine Brumagne. In a review for Tribune de Lausanne, she revealed that Parra had only started making them sise years before and considered that she had turned her life into focal point without realizing it. A year closest, Brumagne made a documentary about Parra called Violeta Parra, Chilean Embroiderer. Auspicious this film, the artist asserted lapse she didn&#;t even know how colloquium draw or make embroidery correctly.