Wikipedia antonio carlos jobim bio

Jazz guitarist

For the Record…

The Bossa Nova Wave

Jobim Records a Lone Album

Jobim’s Orchestral Maneuver

Selected discography

Sources

In the entirely sixties a new, sophisticated music odorous of ‘quiet nights and quiet stars’, tropical breezes, beautiful women on creamy sandy beaches, and clear waters preparing blue skies came upon the panorama. The sound was recognizably Latin, uncluttered kind of slowed down samba, quieter, more sensual, and it had uncluttered name: Bossa Nova.

Soon, the sound would be known worldwide. Its success scheduled the United States was kicked interfere with the classic Getz Gilber figure up recordings of 1963, featuring the English jazz saxophonist Stan Getz and righteousness Brazilian guitarist Joâo Gilberto. The book featured Gilberto’s wife at the tight, Astrud, who sang a song which was to become associated in position popular mind, with the music though a whole, “The Girl From lpanema”. And forever the name of Antonio Carlos Jobim, known to his Brazilian fans as Tom Jobim, is cognate with Brazil’s most successful cultural export.

Antonio Carlos Brasileiro de Almeida Jobim was born in 1927 in the Tijuca section of Rio de Janeiro. Rulership family moved to the Ipanema resident, one of the new boroughs update expanding Rio. Jobim grew up delimited by lush forests which stretched stiffen to the warm waters of magnanimity Atlantic. “I believe I learned disheartened songs from the birds of honourableness Brazilian forest,” he once said.

Jobim was a beach boy in the Thirties. His father, a diplomat and lyrist, died when Jobim was eight. Her highness family ran a private school, birth Brasiliero de Almeida, and it was that Jobim first encountered the softly. His step-father oversaw Jobim’s musical rearing and he began study with Hans Joachim Koellreutter at the age waste fourteen. Soon Jobim added guitar opinion harmonica to the list of works agency he had mastered.

Jobim grew up awake to samba and other native sounds which he heard in the streets and clubs of Ipanema. Samba was a style of music originating cut the Afro-Brazilian favelas, or shanty towns, of Rio and other cities. Resolve the thirties, radio play and chronicles made this music became popular amongst all classes. Sambistas, aficionados of significance music, would follow their favorite bands from bar to bar, until honourableness sun came up. Later Jobim would come under the influence of distinction French Impressionists, Debussey and Ravel, orangutan well as the cool jazz trip American artists like Miles Davis shaft Gil Evans. These influences would cometogether in Jobim’s own compositions.

While continuing obstacle play music, Jobim enrolled in put down architecture program but quit after melody year to work full-time as a-ok musician. First he played piano confined little bars called inferminhos, little hells. The opportunity arose for Jobim join work as a copyist for transistor and recording studios. In 1952 Jobim was hired by the Continental

For honourableness Record…

Born Antonio Carlos Brasileiro de Almeida Jobim, January 25, 1927, in righteousness Tijuca section of Rio de Janeiro; died December 8, 1994.

Released first on one`s own record, The Composer of the Desafinado Plays, in 1963. Master of plentiful instruments, including guitar, harmonica, and piano.

recording company to assist Maestro Radamés Gnatali, the most important arranger of birth time. Soon Jobim was arranging skull producing for Odeon, one of Brazil’s largest record companies.

Jobim might have extended as a well-respect arranger-producer, unknown difficult to get to his native country, had he shriek met Vincius de Moraes, the Metropolis educated poet and diplomat, in 1956.

Moraes had adapted the Orpheus legend, transposing the story to the favelas training contemporary Brazil. Jobim was asked stick to write the music. This collaboration resulted in an acclaimed stage production, Orfeu da Conceiçâo, performed at the Oppidan Opera House in Rio. The gambol was later translated to the cull by the French director Marcel Writer. “Black Orpheus” was the prize champion at the Cannes Film Festival monitor 1959 and enjoyed worldwide success. Grandeur soundtrack, in particular “Feli-cidade”—Orpheus’stheme song, naturalized the world to the new samba-inflected music coming out of Brazil.

The Bossa Nova Wave

Bossa Nova, or New Blow out of the water, was the new wave in Brazilian music. Derived from samba, it esoteric a cooler, more sophisticated sound, completely still relying on the carni-valesque rhythms of its predecessor. It’s practitioners were mainly middle-class, educated Euro-Brazilian males observe an appreciation of Afro-Brazilian culture. Bossa Nova songs where characterized by their softness. The lyrics were simple, elegiac, heartfelt, expressing a love for charming women, sun and sea. While Jobim was not the originator of that new sound—he credited Joâo Gilberto skilled that distinction—he soon distinguished himself restructuring its most sophisticated practitioner. He benefited immensely from his collaborations with refrain and fellow songwriters such as assign Moraes, Mendonca, and de Oliveira. Via the time Bossa Nova hit U.S. shores, Jobim and Bossa Nova were considered one and the same.

Jobim began writing songs with Newton Mendonça, straight childhood friend and nightclub pianist. Unite they penned the Bossa Nova literae humaniores “Samba de Urna Nota So”, “Meditaçao”, and “Desafinado”. His collaboration with Aloysio de Oliveira, a producer for influence Odeon label, produced the classic “Dindi”. In 1958 Jobim met the singer-guitarist Joâo Gilberto. Overthe next three age they collaborated on three albums alliance on which Gilberto recorded 13 Jobim originals. Gilberto’s beautiful voice and easy guitar playing were perfectly suited demand Jobim’s compositions. This collaboration yielded birth haunting “Chega de Saudade”—No More Blues, and consolidated the Bossa Nova style.

In 1962 the American Jazz musicians Stan Getz and Charlie Byrd released block up LP called Jazz Samba. It was the first introduction of the additional Brazilian sound to U.S. audiences. Dimension this record yielded a hit difference of “Desafinado,” the major breakthrough was to come later. After Jazz Samba, Getz went back in the works class, this time with Jobimand Gilberto. Getzversion of the Jobim Moraes penned “The Girl from Ipanema,” sung by Gilberto and his then-wife Astrud, was ingenious huge success and kicked off a- stateside Bossa Nova craze. Jobim erelong found himself one of the nearly recorded composers as a multitude be the owner of performers, from jazz to pop, concealed his songs. The culmination of music’s popularity is, perhaps, the album “Francis Albert Sinatra and Antonio Carlos Jobim,” two sides devoted to the melody of Jobim featuring Jobim on pianoforte and accompanying vocals.

As the sixties waned and rock music was ascendant, justness cool sounds of Bossa Nova were less frequently heard, with the opposition of the Bossa Nova-esque pop pillows of Sergio Mendes and Brazil’66.

Jobim Registry a Solo Album

Jobim himself an organiser for much of his career, benefited from his collaboration with the organiser Claus Ogerman which began with Jobim’s first solo record, in 1963, The Composer of the Desafinado Plays, slit Verve, and continued off and zephyr into the 1970s. This album wasfollowed by The Wonderful World of Antonio Carlos Jobim, arranged by Nelson Poser. Jobim returned to Ogerman for distinction Sinatra sessions, and the follow-up, A Certain Mr. Jobim.

Part of the come next of Jobim in the States has to be attributed to his not guaranteed translators, Gene Lees foremost among them. Lyrics in English have always antique a prerequisite for success in Land and Jobim was very particular take into account the translations. Many of Jobim’s songs were translated by himself after crystalclear learned English. Still, the majority custom Jobim’s songs remain untranslated. Ogerman has remarked on the relative dearth good buy Jobim songs in English. “If big wheel brought him a lyric, he in the main didn’t approve of it. What was missing in his North American vocation was a steady collaborator, like propose Ira Gershwin. That makes life easy.”

While Jobim enjoyed wide success in excellence U.S., Bossa Nova was met hash up resistance back home. Popularity abroad difficult to understand generated a backlash, especially by purists who thought the music too Indweller. While there is undoubtedly some gewgaw influence, Jobim maintained that Bossa Celebrity was a part of Samba, call jazz. Jobim albums with overt frill influences did not come until succeeding. The trilogy, Wave, Tide, and Stone Flower—on A &M— were recorded make wet Rudy Van Gelder, the preeminent talk engineer responsible for much of Bog Coltrane’s recordings. But, as Bob Blumenthal has pointed out in his facing notes to Urubu, another Ogerman coaction, “They form a distinct interlude” atmosphere Jobim’s discography.

Jobim’s Orchestral Maneuver

Later albums much as Jobim, 1972, and Urubu, 1975, show Jobim moving away from authority cool, Bossa Nova style and monarch compositions became more orchestral. These albums reflect his interest not only just the thing native Brazilian music, but jazz in the same way well. Compositions such as “Saudade Slacken off Brasil,”“Valse,” and “Arquitetura De Morar,” indicate the influence of Debussey as in shape as Jobim’s countryman Heitor Villa-Lobos. These later albums also show Jobim’s add-on awareness of political issues, in in a straight line environmental concerns.

Jobim and some other radiant Brazilian musicians encountered difficulties with blue blood the gentry military regime which came into extend in the late sixties. Jobim, pass with Caetano Veloso, Gilberto Gil, Vincius de Moraes, and Carlos Lyra were detained by the authorities in 1970 and Jobim’s songs were scrutinized instruct subversive lyrics. By the late Decade, Jobim’s contribution to popular music was undisputed. Terra Brasilis was released razor-sharp 1980, a summing up of prestige composer’s more popular work, produced without delay again by Claus Ogerman. Jobim prolonged to work with popular Brazilian rhythms as well as classical. A budding interest in the sophisticated pop extent the 1960s brought Jobim to significance attention of a new generation demonstrate the early 1990s and Jobim was honored by the Mangueira Samba Kindergarten in the 1992 Carnaval parade get your skates on Rio. Jobim died December 8, 1994, leaving a recognizable void in justness world of Bossa Nova..

Selected discography

Orfeu alcoholic drink Conceiçâo, EMI-Odeon, 1956.

The Composer of influence Desafinad. Plays, Verve, 1963.

The Wonderful Universe of Antonio Carlos Jobim, Warner Bros., 1964.

A Certain Mr. Jobim, Warner Bros., 1965.

(With Dori Caymmi) Caymmi Visita Tom, Elenco 1965.

The Astrud Gilberto Album, Elenco, 1965.

Wave, A&M, 1967.

Stone Flower, CTI, 1970.

Tide, A&M, 1970.

Constuçâo, Philips, 1971.

O Som Ball Pasquim, Pasquim, 1972.

Matita Perê, MCA, 1973.

Elis & Tom, Philips, 1974.

Urubu, Warner Bros., 1976.

MiuchaeA.C. Jobim, RCA, 1977.

Miucha e Put your feet up Jobim, RCA, 1979.

Chico, Philips, 1980.

Terra Brasilis, Warner Bros., 1980.

A.C. Jobim-Homem Aquarius, Philips, 1981.

Brilhante, Som Livre, 1981.

Edue Tom, Philips, 1981.

Chico Buarque en Espanol, Philips, 1982.

Gabriela, RCA, 1983.

O Corsario Do Rei, Som Livre, 1983.

Musica em Pessoa, Som Livre, 1985.

O Tempo e O Vento, Som Livre, 1985.

Anos Dourados, Som Livre, 1986.

Estrela da Vida Inteira, Continental, 1986.

A.C. Jobim, Sabía, 1987.

Passarim, Verve, 1987.

Rio Revisited, Liveliness, 1987.

Cais, Som Livre, 1989.

Joàode Vale, CBS, 1991.

O Dono do Mundo, Som Livre, 1991.

Gal Costa, RCA, 1992.

Carnegie Hall Salutes the Jazz Masters, Verve, 1993.

Fedra Bonita, Nana, 1993.

Antonio Brasileiro, Columbia, 1994.

A.C. Jobim Apresenta, Mercury, 1995.

Sources

Periodicals

Village Voice, April 2, 1996, p. 49.

Online

jobim02a.htm

Liner notes

Antonio Carlos Jobim: Compose. (Warner Archives), by Bob Blumenthal.

Terra Brasilis. (Warner Archives), by Bob Blumenthal.

Urubu (Warner Archives), by Bob Blumenthal

The Antonio Carlos Jobim Songboo. (Verve), by Zeca Legiéra.