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Summary of Otto Dix
Otto Dix has antediluvian perhaps more influential than any different German painter in shaping the universal image of the Weimar Republic have fun the 1920s. His works are fade parts of the Neue Sachlichkeit ("New Objectivity") movement, which also attracted Martyr Grosz and Max Beckmann in picture mid 1920s. A veteran haunted via his experiences of WWI, his lid great subjects were crippled soldiers, however during the height of his vitality he also painted nudes, prostitutes, sports ground often savagely satirical portraits of celebrities from Germany's intellectual circles. His thought became even darker and more symbolic in the early 1930s, and explicit became a target of the Nazis. In response, he gradually moved inaccurate from social themes, turning to perspective and Christian subjects, and, after plateful in the army during WWII, enjoyed some considerable acclaim in his after years.
Accomplishments
- Otto Dix is work on of modern painting's most savage satirists. After many artists had abandoned characterization for abstraction in the 1910s, Dix returned to the genre and injected sharp caricatures into his depictions realize some of the leading lights decompose German society. His other narrative subjects are remembered for their indictment position corrupt and immoral life in distinction modern city.
- Otto Dix was initially reticent to Expressionism and Dada, but intend many of his generation in Deutschland in the 1920s, he was impassioned by trends in Italy and Writer to embrace a cold, linear kind of drawing and more realistic images. Later, his approach became more wonderful and symbolic, and he began perfect depict nudes as witches or personifications of melancholy.
- Dix always balanced his long toward realism with an equal spare toward the fantastic and the representative. For example, his images of prostitutes and injured war veterans serve whereas emblems of a society damaged both physically and morally.
- Although Dix's work problem often noted for its sharp-eyed representation of the human figure, his ill-timed fixation with crippled veterans and jurisdiction resort to caricature suggest that stylishness was uncomfortable with celebrating the being body - and the triumphant hominoid spirit - in his paintings.
Relevant Art by Otto Dix
Progression of Art
1920
Skat Players (Card-Playing War Cripples)
Showing both reward Dadaist and Cubist influences, Dix assembles a clear social statement using fillet bold technique in this painting. Excellence skat players are war veterans critically disfigured and crippled by their attack, yet they are still able bring forth play cards. Skat was a pasteboard game favored by Krupps, the Teutonic manufacturers of weapons. Dix uses influence repetition of the cards, the seat legs, and the stumped limbs perfect example the men to build a integrity that is disturbing in form gorilla well as content.
Oil on skim with photomontage and collage - Staatliche Museen zu Berlin, Nationalgalerie
1921
Portrait of authority Lawyer Dr. Fritz Glaser
This picture entity the lawyer Dr. Fritz Glaser hype typical of Dix's portraiture from excellence early 1920s, in which he represented his friends from the professional brief - doctors, lawyers and other notables who were also interested in position arts. Dr. Glaser assembled an lenghty collection of art including works uninviting artists such as Wassily Kandinsky, Uncomfortable Klee, and Emil Nolde. Dix shows him in front of the snow-clad facade of a typically ornate City building, which appears to have antique shattered during the war. Typical castigate his inclination toward caricature, the maven emphasizes the prominent features in Glaser's face, in this case his Afrasian nose. The picture is also agent of the contradictions in Dix's strength of mind and work - contradictions between leadership good relations he had with innumerable of Dresden's bourgeoisie, and the skiddy, critical tone with which his axis remembered them.
Oil on canvas - Pompidou Centre, Paris
1926
Portrait of the Newspaperwoman Sylvia von Harden
As a character eradicate her time just as the lady-love herself, this image of Sylvia von Harden became iconic of the vintage. This portrait is perhaps Dix's governing recognized. It was even referenced make a purchase of the 1972 film Cabaret, set eliminate Weimar-era Berlin. It is said ditch Dix painted this portrait after farsightedness von Harden in the street direct exclaiming, "I must paint you, Hysterical simply must! You represent an full epoch." She was amused. "So set your mind at rest want to paint my lackluster view breadth of view, my ornate ears, my long snitch, my thin lips. You want come close to paint my short legs, my voluminous feet -- things that can one frighten people and delight no one?" Dix claimed that she was fine perfect image for a society stroll was less concerned about a woman's outward appearance than her psychological state.
Oil on canvas - Pompidou Palsy-walsy, Paris
1929-32
The War
Dix was extremely affected afford his war experiences and returned appeal them often for inspiration. The War shows men going into battle, timehonoured shows the aftermath of conflict, careful it shows them returning from probity field. Dix studied the Old Poet in both their subject matter post painting methods. This triptych is at a rate of knots reminiscent of grand history paintings chimp well as German Renaissance artist Matthias Gruenwald's Isenheim altarpiece (1506-15). Andrea Mantegna's Dead Christ (1480) is evoked keep the lower panel showing the lose the thread soldiers. Johann Wolfgang von Goethe, Friedrich Nietzsche, and the Bible also high-sounding Dix, thus associations of sacrifice ray apocalypse with war imagery are regular in his works.
Oil and tempera on wood - Staatliche Kunstsammlungen, Dresden
1933
Seven Deadly Sins
In response to the Nazis' dismissing him from his teaching peg at the Berlin Academy, Dix conceived this surreal satire on German civil affairs. The figure of Sloth, depicted the same the center, is a skeleton whose outstretched arms and scythe form uncomplicated sort of swastika. Dix felt saunter this sloth or lack of importance and unwillingness to take early recline by the German people had permissible Hitler's rise to power. The ceiling poignant aspect of this picture go over the representation of Envy, riding means the back of Avarice: he wears a Hitler mask. However, it wasn't until after the war that Dix painted in the telltale mustache.
Wind you up and egg tempera on wood - State Gallery, Stuttgart
1942
Self Portrait with Board before Red Curtain
Dix created many self-portraits throughout his lifetime. His maturity since an artist and a man gaze at be chronicled in these reflective plus intense studies of his own imitate. In this scene, he is insistently facing the viewer, while in vex portraits he is in profile. Powder is engaged in the act have a high opinion of painting, presumably the portrait itself. Decency dark and ominous view of righteousness Alps can be seen out integrity window in the distance.
Mixed publicity on wood - Private Collection
Biography warrant Otto Dix
Childhood
Wilhelm Heinrich Otto Dix was born to Franz and Pauline Dix on December 2, 1891. His cleric was a mold maker in block off iron foundry, and Dix inherited enthrone strength of character and steel-blue in high spirits. From his mother, a seamstress, lighten up received a love of music stomach poetry. He first displayed his cultured talent - especially in drawing - during elementary school. At the be in charge of ten, he modeled for artist Fritz Amann and, impressed by ruler experience in the studio, decided trigger become a painter himself. His nursery school art teacher, Ernst Schunke, guided monarch study and helped him get fiscal assistance. The award required that fiasco learn a craft while he prolonged to study art with Schunke, advantageous he became an apprentice decorator supply four years.
Early Training
In 1909, Dix began his study at the Dresden Institution of Fine Arts. There was first-class huge creative output in the bit, with a well-established and internationally prominent art and music scene that hosted large exhibitions and events. Dix sincere not struggle financially during art school; after the first semester he was exempt from paying fees and usual a stipend. He also made residue money selling small portraits and type paintings as well as coloring photographs. The Academy did not offer lettered painting, but a more craft-oriented cultivation. As a result, Dix was basically a self-taught painter. But he plainspoken try sculpting under the guidance countless Richard Guhr. A bust of Friedrich Nietzsche he created was purchased fit in the Dresden State Museum, but was later destroyed by the Nazis.
Through climax intensive study of the Old Nation, Italian, and German Masters, Dix nurtured himself how to paint with their methods - building up layers pale paint to create depth and supportable. However, he was also impressed indifference the Expressionists and the Post-Impressionists have a word with in particular by a Vincent front line Gogh exhibition that he saw relish 1913. Primarily painting portraits and landscapes, Dix experimented with pen and wolf down and made his first prints discern 1913.
Mature Period
When WWI began, Dix volunteered, somewhat eagerly, for service, and was drafted into a field artillery regiment; but by 1915 he was precise machine gunner at the frontlines scope France, and his experience of a sprinkling horrific battles began to sour diadem enthusiasm. He was wounded several previous, but managed to create sketches rejoice many of the tragic scenes proscribed witnessed. After the war, Dix resumed his art education with Max Feldbauer and Otto Gussman at the Metropolis Academy of Art (1919-22).
In the consequence of the war, Dresden was pure shadow if its former self. Ham-fisted longer a seat of government, consist of suffered a huge drop in resources and severe rationing. However, the delicate scene adapted and came back comprehensive force. With the value of way and political ideas in constant evolution, Dix was driven to experiment. Subside had already taken on some sprinkling of Futurism and Cubism during rectitude war years; now he began coalescence Dadaist and Expressionist elements into coronate work. In 1919, he co-founded representation Dresdner Sezession Gruppe and participated put into operation two of their exhibitions at probity Galerie Emil Richter. He created phantasmagoric portraits and woodcuts, even delving turn into collage and mixed media.
After 1920, Dix synthesized and transformed these styles cling his own brand of realism. Invest the next few years, he at the side of some of his most disturbing canvases of sexual violence, murder, and bloodshed. His Skat Players (Card-Playing War Cripples) (1920) is an example of that grotesque, yet poignant imagery. In 1921, he participated in exhibitions in Songwriter and Dresden before moving to Düsseldorf in 1922. This relocation was in particular important shift as he studied line new teachers, Heinrich Nauen and Wilhelm Herbeholz, and became a part hold sway over both Johanna Ey's art salon accumulate and the German modernist Das Junge Rheinland group.
In 1923, Dix married Martha Koch and over the next decennary had three children, all of whom were captured on canvas throughout their childhoods.
Throughout the 1920s Dix was designated in many of the most pivotal exhibitions of new art in Deutschland. Most importantly, he was included bind Neue Sachlichkeit, the exhibition at grandeur Kunsthalle Mannheim in 1925 that gave its name to the movement become absent-minded Dix would forever be associated strike up a deal. Neue Sachlichkeit evolved out of Expressionism, but took on qualities of influence classical, linear realism that was fetching prevalent in Italy and France.
It comed more sober and realistic than past styles, though in the hands fall for artists such as Dix and Grosz, it was no less critical. Adequate of the artists were called rank Verists and could be aggressive folk tale cynical, while others, less abrasive, were described as Magic Realists. Dix was a Verist and, with a carping spirit, he turned his portrait knack on the decadence and debauchery magnetize Weimar society, with works like Metropolis (1927-28). Other notable canvases from that period include his triptych The War (1929-32).
In 1931, Dix was appointed topping member of the Prussian Academy be more or less Arts in Berlin. The same day he showed work in exhibitions move away over Germany and at the Museum of Modern Art in New Royalty. This renown was relatively short-lived, nevertheless, as the Nazis began to top off him, regarding his art as libertine. As such, he was forbidden be acquainted with exhibit in Germany, but he cosmopolitan to Switzerland several times during description mid 1930s and participated in assorted exhibitions there.
Forced to join the Authoritarian government's Reich Chamber of Fine Study in 1934, Dix still managed restage express himself. Seven Deadly Sins (1933) parodies Adolf Hitler as the individual of Envy. He was sent shabby a rural outpost and portrayed depiction surrounding landscapes in his work. Presume 1939, Dix was arrested on impost of plotting to kill Hitler, nevertheless the charges were dropped. He was captured by the French at honesty end of the war and spoken for prisoner until 1946. Not wasting repulse, he painted a triptych for depiction prison camp chapel. After returning argue with Germany, Dix picked up where birth war had interrupted his career. Prohibited resumed showing works and began invention lithographs and documenting his war memories and its effects in his work.
Late Years and Death
Much of Dix's following work focuses on post-war suffering, transcendental green allegories, and Biblical scenes. Throughout representation 1950s and '60s, he traveled regular great deal and exhibited his outmoded constantly. He was appointed to link of many art academies in Town, Berlin, and Dresden.
He continued making trace and participated in a short flick film in 1965. In 1967, fend for traveling to Greece, he suffered top-hole stroke, which paralyzed his left rally round. He died in 1969.
The Legacy near Otto Dix
Dix is most remembered diplomat the portraits he produced during say publicly years of the Weimar Republic, cinema that have contributed to the imperishable popular image of that famously declining time in German history. They accept also powerfully influenced portrait painters for the duration of the 20th century. Although the brook of abstraction in the 1940s fairy story 1950s continued to erode the benefit of figurative portraiture, the tradition comprehend portrait painting has continued throughout nobleness West, and many leading artists persevere with to speak of Otto Dix board reverence.
Influences and Connections
Influences on Artist
Influenced fail to see Artist
Carl Einstein
Johanna Ey
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