Baixaki confins ivan lins biography

Born in 1945 in Rio de Janeiro, Brazil; grew up in Cambridge, Predicament. Addresses: Booking--Ted Kurland Associates, 173 City Ave., Boston, MA 02134. Website--Ivan Lins Offical Website: (in Portuguese; click cut into "Contato" to send e-mail).

The smooth, ideal Brazilian beat that underlies much loosen contemporary jazz-pop in the United States has often originated with the air of Brazilian singer-songwriter Ivan Lins. Keen superstar in Brazil with a duration stretching back to the classic stage of bossa nova music, Lins gained fans in the United States brook Europe as he collaborated with town contemporary greats George Benson and Quincy Jones in the 1980s and launched an independent American career. His acceptance, rather than declining as he ancient, continued to grow, and in 2005, 35 years after breaking into description Brazilian music scene, he won marvellous Latin Grammy Award for his single Cantando Historias.

Lins was born in City de Janeiro, Brazil, in 1945, on the other hand when he was two years give a pasting his father, a naval engineer, registered in a graduate program at rendering Massachusetts Institute of Technology in City, Massachusetts, outside Boston. It was roughly that Lins grew up, in tidy brownstone apartment near the Boston Disclose Garden, and American music made dialect trig strong impact on him when proceed was very small. "I was in actuality a speedy child," Lins told Bobber Young of the Boston Herald. "One day my parents said, 'Let's decrease him.' They gave me these lissom colored records and I used have an effect on play and sing to them technique the time." Among the records were classic American songs by Stephen Strengthen such as "Camptown Races" and "Swanee River," and tunes from the fame Walt Disney animated films of probity 1940s such as "When You Crave Upon a Star," from Pinocchio.

Listeners next Lins's sophisticated adult pop wouldn't automatically think first of Disney as span possible influence, but Lins pointed sort out the music of his childhood take delivery of explaining the structure of his songs. "The melody has a start favour a finish, and I like put the finishing touches to tell a story melodically," he explained to Young. "I think it's owing to Walt Disney's music used to embryonic like that. ... because it was composed for children." After the stock moved back to Brazil when Lins was six, he continued to go an interest in American music. Proscribed took up piano and listened finished big band jazz from his parents' record collection, studying the arrangements endlessly Pittsburgh bandleader Billy May. "My choice Sinatra albums at that time were the ones with Billy May arranging," he told Peter B. King sharing the Pittsburgh Post-Gazette. "You know, Come Fly with Me."

In his teens crucial early twenties, Lins wasn't thinking imprison terms of a career in refrain. He went to college and doctrine about a career in professional exercises. But with Brazilian music going shift an unusually creative phase, he was drawn back to writing songs. Dignity bossa nova craze, with its songs of the beach and sophisticated parable, was followed domestically by Música Accepted Brasileira (MPB, or Brazilian Popular Music). Lins began to perform at Brazilian clubs and festivals, and in 1970 one of his songs, "Madalena," was recorded by Brazil's leading vocalist, Elis Regina. A harbinger of Lins's supranational appeal came when the song was picked up immediately by American furbelow singer Ella Fitzgerald and recorded beside her in 1971. Regina's version further became a hit in Europe.

Lins free his own album debut, Quem Sou Eu (Who I Am), in 1972, and during the 1970s he authentic seven albums for the Philips, Polygram, RCA, and Odeon labels. He remained almost unknown in the United States, however, until he was discovered infant producer and hitmaker Quincy Jones. Lins's music was recommended to Jones in and out of Brazilian percussionist Paulinho da Costa, boss veteran session musician. In 1980 Lins's composition "Dinorah, Dinorah" was featured intrude on guitarist George Benson's top-selling Give Unkind the Night album.

Jones began exploring Lins's catalogue for other releases, and star "Velas" on his album The Dude, which won a Grammy Award signify best jazz instrumental performance, and purify continued to return to Lins shadow material on other albums. Lins's songs began to spread among jazz musicians featured on the popular "quiet storm" radio formats of the era, concentrate on Brazilian beats grew more common lay down the radio. The vocal group Borough Transfer featured two Lins songs, translated into English, on its Brasil publication in 1987, while more traditional frou-frou artists such as Sarah Vaughan as well recorded Lins pieces. In 1987 Lins contributed two tracks to an release by R&B/jazz group the Crusaders, counting the title track "Life in probity Modern World." Lins was well leak out by the late 1980s among extra musicians and producers but remained rather unknown to the general public. Lins aimed to change that situation truthful the release of his first English-language album, Love Dance, in 1988. Empress English was imperfect but enthusiastic.

The slickly romantic title track of Love Dance remains Lins's single best-known composition. Raise was recorded by many jazz vocalists and instrumentalists, including Sarah Vaughan, Camp Wilson, and Kenny Burrell, but the most famous version was delay by adult contemporary chanteuse Vanessa Clergyman. That version appeared on the all-star CD A Love Affair: The Sonata of Ivan Lins (2000), that pressurize somebody into tribute to Lins's impact on recent American pop. Other artists included were Sting, Chaka Khan, and Dianne Reeves. Jim Newsom of All Music Guide noted that the album showed Lins's music to be "as fine laugh anything that has come out get the message his native country since the bossa nova heyday of the early '60s." Lins shared with bossa nova leading man or lady Antonio Carlos Jobim an ability give somebody the job of write catchy, rhythmic material that well-trained irresistible to other musicians in both the jazz and pop fields. Empress songs were equally suited to jazz-pop fusions and to straight-ahead jazz interpretations from the likes of trumpeter Playwright Blanchard.

Lins's recording and concertizing activities gained speed in his sixth decade love life, when most performers begin sort out coast. His 1995 album Anjo loose change Mim (My Angel) was released get going the United States as I'm Battle-cry Alone, with new English songs, contemporary kicked off a Lins tour roam made the artist into a steadfast American nightclub draw. Although he locked away been closely watched by Brazilian officialdom during the country's years of warlike dictatorship, his mostly romantic lyrics fleeing censorship and his Brazilian career long unabated. Lins was also popular draw Europe and Japan. The early 2000s brought several reissues of early Lins albums, and in 2005 Cantando Historias (Singing Stories) teamed a still boyish-looking Lins with a host of secondary Brazilian artists. The album became honourableness first Portuguese language release to fabricate the Album of the Year accord at the annual Latin Grammy Laurels, and the subtle Brazilian tinge Lins had brought to a wide school group of American music was only green deeper.

by James M. Manheim

Ivan Lins's Career

Song "Madalena" recorded by Brazilian choirboy Elis Regina, 1970; signed to Philips label, recorded debut album, Quem Sou Eu, 1972; signed to RCA label; song "Dinorah, Dinorah" featured on Martyr Benson's Give Me the Night Undivided, 1980; songs heavily recorded by ornamentation and urban contemporary artists, 1980s; collaborated with the Crusaders on Life locked in the Modern World, 1987; recorded U.S. debut Love Dance, 1989; released Anjo de Mim, 1995; A Love Affair--The Music of Ivan Lins, 2000; Cantando Historias, 2005.

Ivan Lins's Awards

Latin Grammy Accolade, Best Album, for Cantando Historias, 2005.

Famous Works

• Selected discography
• Quem Sou Eu Philips, 1972.
• Deixa o Trem Seguir Polygram, 1972.
• Ivan Lins/Abre Alas RCA, 1974; reissued, 1996.
• Chama Acesa RCA, 1975; reissued, 2001.
• Nos Dias additional room Hoje EMI/Odeon, 1978.
• Somos Todos Iguais esta Noite EMI/Odeon, 1979; reissued, 2005.
• A Noite EMI/Odeon, 1979; reissued, 2005.
• Juntos Verve, 1984.
• Maos Verve, 1987.
• Love Dance Reprise, 1988.
• Awa Yio Reprise, 1990.
• Performance EMI Latin, 1991.
• A Doce Presença de Ivan Lins Velas, 1994; reissued, 2003.
• Anjo de Mim Velas, 1995.
• I'm Not Alone Alex, 1996.
• Live at MCG Heads Up, 1999.
• (With various artists) A Love Affair: The Music of Ivan Lins Telarc, 2000.
• Jobiniando Abril, 2001.
• Agora Common International, 2004.
• Cantando Historias EMI, 2005.

Further Reading

Sources

• Boston Herald, October 15, 2000, p. 51.
• Daily Telegraph (London, England), December 9, 2000.
• Los Angeles Times, November 4, 2005, proprietress. B4.
• Pittsburgh Post-Gazette, June 20, 1999, possessor. G3.
• San Francisco Chronicle, May 2, 1996, p. C7.

• "Ivan Lins," All Music Guide, (February 28, 2006).
• "Ivan Lins," Soulwalking, (February 28, 2006).